Thanks, Dolly!

From Caterpillar to Butterfly: how to follow Dolly’s pathfrom a dreamer to the promised land.

There are so many reasons to pay attention to Dolly Parton.Her Q Score, a measure of celebrity-brand appeal, is one of the highest in theworld. She is adored. She wrote over 3000 songs and holds ten Guinness WorldRecords. Her Imagine Library Literacy Foundation gave 147 million books tochildren worldwide. She helped fund Moderna’s Covid vaccine research. She’s the subject of the excellent 9-episode podcast by Jad Abumrad and Shima Oliaee, Dolly Parton’s America and a delightful guest of Brene Brown on the Unlocking Us podcast. She is a national treasure.

My personal connection to Dolly

The reason I noticed Dolly as a six-year-old, was her vulnerable, captivating and intense song, “I Will Always Love You.” I listened from the record my parents bought after seeing her as Mona Strangely in The Best Little Whore House in Texas. I loved her outfit on the back cover almost as much as I loved hearing the song.

Her voice reached out to me like the gaudy, fabulous plume of feathers she held in this photo, touching  me like the downy puff beneath a mother hen offering safety, wisdom and warmth. I felt like she understood something I was experiencing—even by age six—that life delivers experiences that are overwhelming and burdensome. Circumstances that ask us to stretch in unknowable ways. Her voice created a surreal sanctuary in me, one that was buoyed and comforting.

Dolly’s dream

I didn’t know then that Dolly wrote “I Will Always Love you "to resign from The Porter Wagner Show—a decade-long partnership. An experience she described as so “intermingled and so wadded up that you didn't even know what your real feelings were”. She said, “when he hired me as a singer, he was just hiring what he thought was a right pretty little girl, but I was a serious writer. He didn't know that. I was a serious entertainer. He didn't know that. He didn't know how many dreams I had.”

“I am my own self. I didn't come to Nashville to be justpart of a duet and to be a girl singer in somebody's group. I want my own band.I want my own show. I want my own dreams," she added.

Dreams come from transformation

Reflecting on the complexity and bravery of Dolly’s musicalfarewell as the catalyst for a monumental change in her life (and the millionsof us who love her music) inspires me to explore change with Dolly as a muse.  

The foundation of What By When is helping people throughthese periods in life when you are reaching for something more – a dream, ideaor project – but might feel stuck or overwhelmed. As ICF Certified Coaches, weuse the renowned Martha Beck’s 4-Stage Change Cycle as a guide, which is basedon a caterpillar to butterfly metaphor. And in this blog, we look to Dolly forinspiration along the way.

What a perfect mash-up, Beck gives the framework and ofcourse Dolly provides the perfect soundtrack!

Martha Beck's Change Cycle according to Dolly Parton

Martha Beck’s Stage 1 – Death and Rebirth

Did you know when caterpillars are inside a cocoon, theydon’t just grow wings? They completely dissolve down to cells and reform intosomething entirely new. In fact, the caterpillar’s immune cells attack theforming butterfly cells as a foreign object. This is how complete thetransformation is, cells from the old are literally at war with cells from thenew. The imagery is so helpful to preview what Stage 1 feels like—terrible.

Martha Beck’s Stage 1 begins after a catalytic event, like ajob loss, illness, vital disappointment, death, and other unpredictable eventsafter which life can’t continue as it was. It’s a scary time because a new selfis forming, but the old self cannot come along.

“I don’t know what the hell is going on and that’s Ok,” isMartha’s mantra for this phase.

Dolly’s soundtrack to Stage 1

Dolly’s Hard Candy Christmas is a welcome companionhere. She sings, “I’m barely getting through tomorrow, but still I won’tlet sorrow bring me way down”. She wanders through the helpful and distressingthoughts one has during Stage 1.

Hey, maybe I'll dye my hair

Maybe I'll move somewhere

Maybe I'll get a car

Maybe I'll drive so far they'll all lose track

 

Maybe I'll just lie low

Maybe I'll hit the bars

Maybe I'll count the stars until dawn

Me, I will go on

 

Martha Beck’s Stage 2 – Dreaming and Scheming

In Stage 2, the image of your future self begins to diverge from your past identity. New traits and interests become appealing. This stage can also be scary but also liberating. It's not crucial to have a precise understanding of present desires. It’s a time for daydreaming. After pondering your new vision, think of ways those ideas could come to life. That is the schemingpart. Explore your imagination of the future.

There are no rules, and that’s ok,” is Martha’s mantra for this phase.

Dolly’s soundtrack to Stage 2

I found Dolly’s cover of the song Shine to be very inspirational for phase 2.

Gimme a word, gimme a sign
Show me where to look

And tell me what will I find

She sings about looking for a path to follow – she’s dreaming and scheming, without guidelines or instructions, and a wondering imagination.

Martha Beck’s Stage 3 – The Hero’s Saga

Square 3 Martha named The Hero’s Saga. This is where we gain an understanding of the path we want to peruse. Experimenting with new things leads to both successes and failures and that is what this stage is all about. It can feel exciting and disappointing. Expect things not to go according to plan, that is how you discover where you really want to go. In this stage, our company, What by When can help you decipher what those stepsare.

“This is a lot harder than I expected and that’s ok,” isMartha’s Mantra for this phase.

Dolly’s soundtrack to Stage 3

You probably know Dolly’s famous song, 9 to 5. But did you know she rewrote a version called 5 to 9 further exploring herfollow-your-dreams theme? The original may have been a nod toward unionizing,but this new version feels to me like a phase-three anthem. Especially for those of us building our own businesses.

“Working 5 to 9,

you’ve got passion and a vision

‘Cause it’s hustlin’ time

a whole new way to make a livin’“

In stage 3 we discover and explore goals, see nascent versions of our ideas come into focus and experience the inevitable disappointment of working very hard to see what feels like too little progress.Dolly’s message, “Gonna change your life, do something that gives it meaning” offers motivation to those of us striving for change.

Martha Beck’s Stage 4 – The Promised Land

Eventually, we finally fulfill the dream we’ve worked so hard to attain. We are now completely different than we were at the beginning of the metamorphosis. I can’t think of a more profound description of this type of change than Teresa of Avila and her amazing metaphor of the transforming silkworm.

“When the warm weather comes--and the silkworm eats the mulberry leaves to the point of growth where it begins to spin a cocoon. It starts to spin its silk and to build the house in which it is to die.” The new reality is so unlike the former that commenter James Finely says, “the silk wormdies to itself, as a silkworm” Theres no going back, “for a butterfly is not a caterpillar with wings.” We are creatures who now take flight, no more walking!

Dolly’s soundtrack to Stage 4

Dolly gives us her final sendoff with her lyrics from Love is Like a Butterfly:

Love is like a butterfly

As soft and gentle as a sigh

It flutters like softwings in flight

Love is like a butterfly, a rare and gentle thing

I like to imagine Dolly singing about the dream we’ve followed knowing what it cost her to follow her own dreams, and the great benefit so many of us experience as a result, compels me to express my gratitude.

Thanks for sharing so much of yourself in your songs

Thanks helping so many kids learn to read

Thanks for funding one of the Covid vaccines

Thanks for responding to your creative self w/ over 3000 songs we all can enjoy

And thanks for giving us a little motivation in every part of the change cycle

Or, in your own words,“I Will Always Love You” too Dolly.

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